Rihanna has faced personal challenges, including a highly publicized incident of domestic violence with former boyfriend Chris Brown. With these endeavors combined with her musical empire, Rihanna has not only cemented her legacy in music but also positioned herself as a powerful icon in the world of entrepreneurship. The singer launched her makeup line, Fenty Beauty, in 2017, gaining instant popularity for its extensive range of shades catering to all skin tones. This wealth is a result of her multifaceted career, which extends beyond music to include ventures in fashion, beauty, and film. Rihanna, one of the most successful pop stars of her generation, has amassed an impressive net worth estimated to be around $1.7 billion, according to Forbes. Rihanna’s romantic life has often made headlines, with notable relationships sparking both admiration and intrigue.
Music of the Sun
- A dance-oriented pop and R&B album, Talk That Talk opened at number three on the US Billboard 200 with first-week sales of 198,000 copies, while debuting atop the UK Albums Chart with 163,000 units sold.
- After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say.
- In her youth, Rihanna often watched Bob Marley on television due to his popularity in the Caribbean.
- The album debuted at number four on the Billboard 200 chart and sold 181,000 copies in its first week.
- Good Girl Gone Bad remains Rihanna’s best-selling album and marks her greatest reinvention as she adopted a more rebellious sound.
“Wood” and “Honey” capture the playfulness of true love, while songs like “WI$HLI$T” and “Elizabeth Taylor” see love not as a distraction from her life’s work but as the very thing that makes it feel meaningful. Many of the love songs on Swift’s more recent albums are brimming with anxiety, from Lover’s “Cornelia Street” (“I hope I never lose you, hope it never ends”) to folklore’s “Peace” (“The rain is always gonna come if you’re standing with me”). One of the biggest takes by critics — that borderlines on sexist at times — is that Swift won’t be able to write good, reflective music that cuts deep like the songs that orbit around heartache and pain.
Following the release of Unapologetic and the ensuing tour, she expressed a desire to take a break from recording, saying she wanted “a year to just do whatever I want artistically, creatively”. That same month, the Official Charts Company reported she had sold 3.87 million records in the country over the past year, placing her at number one among the 2013 Brit Awards artist nominees. Rihanna’s seventh studio album, titled Unapologetic, was released on November 19, 2012. A dance-oriented pop and R&B album, Talk That Talk opened at number three on the US Billboard 200 with first-week sales of 198,000 copies, while debuting atop the UK Albums Chart with 163,000 units sold. Rihanna aimed to explore more sexually expressive themes on her sixth studio album, Talk That Talk, which was released on November 18, 2011. A dance-pop record, Loud debuted at number three in the US with first-week sales of 207,000 copies.
Her ability to captivate audiences across both music and film realms underscores her dynamic artistry and continued relevance in the entertainment industry. Her involvement in these projects demonstrated her ability to transition from pop music icon to a prominent figure in film. Her debut album, “Music of the Sun,” released in 2005, marked the beginning of her remarkable career, selling over two million copies worldwide. At the age of 15, she formed a girl group with school friends, which paved the way for her discovery by music producer Evan Rogers. With her distinct voice, groundbreaking style, and philanthropic contributions, Rihanna continues to leave an indelible mark on both the music industry and popular culture. Transitioning from a teen pop sensation to a mature artist, Rihanna’s work reflects her evolving artistic vision.
Seven years into an already extraordinary career, 2012’s Unapologetic became Rihanna’s first album to debut at No. 1 on the all-genre Billboard 200 chart. With this feat, she became the youngest artist to attain the most chart-toppers in a five-year span. That same carefree spirit can be heard in the feminist track “Raining Men,” which features Nicki Minaj — their first of two collabs, as they joined forces again for “Fly,” the final single off the rapper’s iconic Pink Friday album. While “What’s My Name?” may not outshine Rih and Drizzy’s other collabs — including 2011’s “Take Care” or 2016’s “Work” — the second she sings, “Hey, boy, I really wanna see if you can go downtown with a girl like me,” it’s impossible not to whine your waist to the riddim. Through lead single “Russian Roulette” and bitingly catchy anthems “Stupid in Love,” “Fire Bomb,” “Photographs,” “Cold Case Love,” and “The Last Song,” Rihanna explored her angst and confusion. Rihanna was a familiar face by 2007, but with the arrival of her third studio album, Good Girl Gone Bad, she graduated from cookie-cutter pop star to bonafide icon.
Swift still remained in the pop lane with reputation, largely leaning on Antonoff and the Martin/Shellback team. She stayed away from public appearances, didn’t do any press, and missed the album schedule fans became accustomed to. For years, Swift was on a strict two-year cycle — she’d release an album one year, tour the next, and then release a new album the following year. In turn, Billie Eilish, Dua Lipa and more pop stars have refused to conform or stick to what they’ve done prior.
The Western-themed “Desperado” lends itself particularly well to covers by country artists, while the Dido-sampling “Never Ending” conveys the uncertainty she feels about entering a new relationship. Subsequently, Rihanna held the No. 1 spots on the Billboard 200 and Hot 100 simultaneously, her second time achieving such an impressive feat. But the dancehall masterpiece is one of a kind for Rih’s refusal to water down the Jamaican patois (different from her native language of Bajan Creole) — proving that she is fully aware of her impact as one of the biggest Caribbean-born artists to make it in the U.S. ANTI lives up to its name in its first 40 seconds, via opening track “Consideration.” The minute she declares, “I got to do things my own way, darling,” it’s apparent that ANTI is not your average Rihanna album. But that shift began with 2015’s criminally underrated “American Oxygen.” Her most political statement at the time, the goosebump-inducing lyrics detail Rihanna’s journey as an immigrant, foreshadowing her then soon-to-be massive Fenty Beauty success.
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She didn’t want to be just “another girl singer” and knew writing her own songs would be what set her apart. Every album era has seen Swift reinvent herself over and over, which has helped pave the way for artists to explore other musical avenues. A once-in-a-lifetime generational storyteller, one could argue that she is music’s modern-day maverick, constantly evolving both her music and the culture around her. Sadly not a tribute to the classic ’60s sitcom starring Elizabeth Montgomery, Bewitched is instead a self-described “love album” that helped Laufey surpass Björk and Sigur Ros as Iceland’s most streamed artist.
After exploring pop-leaning sonics she first found with Red, Swift worked with Martin and Shellback again on most of 1989. 1989 was lauded by critics for its infectious synth-pop that was reminiscent of the 1980s, yet still had a contemporary sound. She plays with time — speeding it up in “Starlight,” dabbling in the past in “All Too Well,” and reframing it in “State of Grace” — to better understand her experiences. In her liner notes, she references Pablo Neruda’s poem “Tonight I Can Write,” stating that “Love is so short, forgetting is so long” is the overarching theme for the album. From addressing the aforementioned VMA incident in the forgiving “Innocent” to a toxic relationship in “Dear John,” Speak Now also hinted that her rose-colored glasses were cracked, but Swift (and her songwriting) was only becoming stronger because of it.
How the Super Bowl halftime show evolved from pageantry to pop culture’s biggest stage
- In addition to her musical career, Rihanna acted in the movies Battleship (2012) and This Is the End (2013).
- If Taylor Swift was the soundtrack to navigating the early stages of teenhood, Fearless is Swift’s coming-of-age record.
- This evolution is mentioned throughout Lover, particularly in a direct callback to 2012’s Red, “Daylight,” which sees her describe her love as “golden” rather than “burning red.”
- Her journey from a small island to the bustling music scene of America marked the beginning of her transformational career.
- Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free.
The line debuted in a Paris pop-up on May 22 before a worldwide online release seven days later, featuring clothing, accessories, and footwear. It included an array of products including foundations, highlighters, bronzers, blush compacts, lip glosses, and blotting sheets, and was praised for offering shades that catered to all skin tones. The $10 million partnership produced a wide range of beauty products, with the first collection released on September 8, 2017, in stores and online across more than 150 countries. Over the next two years, she released a variety of footwear in different styles and colourways, all receiving positive responses from critics and consumers alike. Rihanna went on to collaborate with numerous fashion houses, including Dior, Stance, and Manolo Blahnik. She also established a photography agency, A Dog Ate My Homework, representing photographers Erik Asla and Deborah Anderson.
While the world is still anticipating her ninth studio album, Rihanna — now a mom of two boys — continues to make her own rules and move at her own pace. With the glorious “Lift Me Up,” she found herself in the top 10 for the first time since 2017’s “Wild Thoughts.” Ever since ANTI, Rihanna’s devoted fanbase has been begging for a new album, with Rih playfully trolling them with responses like “I lost it” and Instagram captions that read, “Me listening to R9 by myself and refusing to release it.” Accolades aside, ANTI is proof that magic happens when an artist of Rihanna’s caliber follows their own instincts in pursuit of creating a body of work — one that can outlast them and continue to inspire generations to come. For instance, “Sex with Me” is featured on the deluxe edition as a bonus track, but managed to crack the Hot 100 at No. 83 and reach No. 8 on the R&B/Hip-Hop Airplay chart. Elsewhere on ANTI, Rihanna drunk dials an ex (“Higher”), compares smoking weed to her lover (“James Joint”), and chastises a guy for getting emotionally attached after their fling (“Needed Me”).
Grammy Awards
A daily briefing on what matters in the music industry Jan. 26, Rocky scored his first Billboard 200 No. 1 album in more than a decade with Don’t Be Dumb, which Rihanna celebrated via X, writing, “Just me here to let yall know my baby daddy got the NUMBER 1 ALBUM!!! While some fans are wallowing in their 10th year without a new Rihanna album, everyone’s favorite Bajan Bad Gal is celebrating the massive success her ANTI album has generated during that period. This is the second such soundtrack she has contributed to for an animated movie, recording several anthems for “Home,” a 2015 film she starred in alongside the “Big Bang Theory” star Jim Parsons.
In December, Nancy will headline a celebration of her career featuring female artists including Renée Neufville. In August, she released a new Mad Professor-produced album, Armageddon — her first LP in over 20 years. Rihanna comes out of left field with the Prince-inspired “Kiss It Better,” the album’s second single, which sees the superstar falling back on addictive sex that “feels like crack” to justify a destructive relationship. The black-and-white, red paint-splattered album cover signals a rebirth, featuring a real-life image of Rihanna as a child. Released four years after Unapologetic — her longest gap between albums at the time — ANTI illustrated Rihanna’s greater desire for quality over quantity. With 13 No. 1s and twice as many top 10 hits under her belt, Rihanna set out to create timeless music instead of chasing a radio-friendly formula with her 2016 magnum opus, ANTI.
On “Father Figure,” she flips the power dynamic between a “showman,” someone who thought they were pulling the strings, and a showgirl. On stage, fans were seeing the same steadfast, resilient showgirl they were seeing throughout the tour perform three-hour sets. After The Tortured Poets Department provided insight into how she coped during the beginning of the tour while dealing with two relationships breaking down, producing tracks like “The Smallest Man Who Ever Lived” and “loml,” The Life of a Showgirl is a sharp turn in the other direction. The 12-track record is an amalgamation of what was going on behind the scenes throughout the latter half of The Eras Tour. Take a look at betista casino how tracks like “The Fate of Ophelia” and “The Life of a Showgirl” hint that Swift is happier and more inspired than ever.
Off stage, though, she was falling in love again — this time with someone who championed her just as much as the fans did in the areas. It’s apt that she would turn to Max Martin and Shellback, her 1989 and reputation collaborators, to bring that same captivating pop soundscape to The Life of a Showgirl and to capture some of the energy Swift was experiencing. And after two decades in the business, the 14-time GRAMMY winner is giving everyone a glimpse of what she describes as “the most infectiously joyful, wild, dramatic” chapter of her life thus far.
In June 2016, Rihanna released “Sledgehammer” as part of the film soundtrack for Star Trek Beyond. Announced in November 2015, the Anti World Tour was launched in March 2016 in support of the album. In late 2015, Rihanna signed a $25 million deal with Samsung to promote its Galaxy product line, with the company also sponsoring the rollout of her eighth studio album, titled Anti, and its accompanying tour.
Their “FourFiveSeconds” is a pop-folk hybrid with a universal message about carrying the weight of the world on your shoulders. Another overlooked jam, her sultry “Can’t Remember to Forget You” duet with Shakira sees both stars trade lines about struggling to let go of an undeserving lover. Both larger-than-life productions won GRAMMYs for Best Rap/Sung Collaboration in 2010 and 2012, respectively.
True to her Carribean heritage, Rihanna’s dancehall-inspired debut single “Pon de Replay” earned the then 17-year-old Barbados native her first entry on the Hot 100 at an impressive No. 2. As the world eagerly awaits new music, celebrate 20 years of Rihanna with the monstrous hits, ambitious projects, brow-raising visuals, and iconic collabs that propelled her to international stardom — and why it’s all put her in a league of her own. Performing hit after hit while unveiling a baby bump, her 13-minute set became one of the most-watched halftime shows of all time with over 121 million viewers. Even her business ventures have been a massive success, as her Fenty Beauty brand is worth nearly $3 billion as of press time.
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Released on November 20, Rated R marked a shift away from the upbeat sound of Rihanna’s earlier albums, embracing a darker, more introspective tone with rock influences. The case garnered widespread media attention, particularly after TMZ published a leaked police photograph showing Rihanna with visible injuries. In 2008, she announced her romantic relationship with singer Chris Brown and topped the Hot 100 once again with a feature on rapper T.I.’s song “Live Your Life”. Having sold nine million copies as of 2023, Good Girl Gone Bad is her best-selling album worldwide. In support of the album, Rihanna embarked on the worldwide Good Girl Gone Bad Tour in September 2007, performing 80 concerts across five continents.
Highly regarded as Swift’s magnum opus, Red sees the singer shed the fairytale dresses and the girl-next-door persona to craft a body of work that has now been deemed as her first “adult” record. Writing the entire album herself, Swift used Speak Now to prove her songwriting prowess to those who questioned her capabilities. For the first time since becoming an artist, she was forced to reckon with the concept of celebrity and how turning into one — whether she wanted it or not — informed her own writing and perception of herself. On the album’s liner notes, Swift says Fearless is about “living in spite” of the things that scare you, like falling in love again despite being hurt before or walking away and letting go.